♦
Latin America:
 Argentina:
White Elephant (Pablo Trapero, 2012) ♦ Jauja (Lisandro Alonso, 2014) ♦ Wild Tales (Damián Szifron, 2014) ♦ Zama (Lucrecia Martel, 2017) |
 Colombia:
|
♦
Sub-Saharan Africa:
 Mauritania:
|
 Senegal:
Mandabi (Ousmane Sembène, 1968) ♦ Emitai (Sembène, 1971) ♦ Camp de Thiaroye (Sembène, 1988) |
 South Africa:
|
 Zambia:
|
♦
North Africa & Middle East:
 Egypt:
The Blazing Sun (Youssef Chahine, 1954) ♦ Saladin the Victorious (Chahine, 1963) ♦ The Land (Chahine, 1969) ♦ The Sparrow (Chahine, 1972) |
 Jordan:
|
 Palestine:
|
♦
Scandinavia:
 Sweden:
We Are the Best! (Lukas Moodysson, 2013) ♦ A Pigeon Sat on a Branch Reflecting on Existence (Roy Andersson, 2014) |
♦
Eastern Europe:
 Czechoslovakia/Czech Republic:
|
 Hungary:
White God (Kornel Mundruczó, 2014) ♦ Son of Saul (László Nemes, 2015) ♦ On Body and Soul (Ildikó Enyedi, 2017) ♦ Sunset (Nemes, 2018) ♦ |
 Poland:
The Structure of Crystal (Krzysztof Zanussi, 1969) ♦ Family Life (Zanussi, 1971) ♦ Illumination (Zanussi, 1973) ♦ Ida (Pawel Pawlikowski, 2013) |
 Romania:
Beyond the Hills (Cristian Mungiu, 2012) ♦ Aferim! (Radu Jude, 2016) ♦ Graduation (Mungiu, 2016) ♦ Sieranevada (Cristi Puiu, 2016) |
  Russia/USSR:
Woodpeckers Don’t Get Headaches (Dinara Asanova, 1975) ♦ The Halt (Sergei Loznitsa, 2000) ♦ My Joy (Loznitsa, 2010) ♦ A Gentle Creature (Loznitsa, 2017) |
♦
South Asia:
♦
Southeast Asia:
 Cambodia:
|
 Indonesia:
The Act of Killing (Joshua Oppenheimer, 2012) ♦ The Look of Silence (Oppenheimer, 2015) ♦ Marlina the Murderer in Four Acts (Mouly Surya, 2017) |
 Singapore:
A Land Imagined (Yeo Siew Hua, 2018) ♦ Shirkers (Sandi Tan, 2018) ♦ ♦ |
♦
East Asia:
♦
Australasia:
Cinescope 